A reflection by Joe Galea (SDC Member) on the painting ‘The Madonna of the Village’, 1938-42, Marc Chagall, oil on canvas, 102cm x 98cm, Museo Thyssen-Bornemisza, Madrid.
Marc Chagall, born in Russia in 1887 and passing away in 1986, is recognized as a key figure in the surrealist and expressionist movements.
This painting offers an unusual depiction of Mary holding her son, Jesus. It appears to be set during a likely Russian journey, evoking the painter’s nostalgia for his childhood, despite spending much of his career in France and America. Mary is entirely dressed in white, a color symbolizing purity and virginity, which is a rare portrayal. In Malta, a similar depiction can be found in the titular painting of the parish of Bormla.
As with many of Chagall’s works, this painting is rich in symbolism and dreamy imagination. Notice the flying cow playing the violin, a recurring element in Chagall’s art. Additionally, a candle stands tall on the journey, possibly symbolizing faith and love in Mary and Jesus.
Mary does not have the typical halo; instead, a person in red extends a hand from the sky, offering her a heartfelt kiss. Traditional elements like angels playing and singing are also present in the painting.
